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1977-78, from an antique land, part 2.
My
work has most always had an interior purpose, not so much how to
represent the world, but how to show to myself the growth of my life
in the world.
So, next
I tried to represent what has always been my chief interior
preoccupation:
the fusion of the phallus and the heart in my body and in my life.
I tried
to paint that fusion as I experienced it
in what in the Monroe System is called Focus 12.
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