The Art of Fred Martin
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From Studio Notes, January 2006

◄  #8, January 2006 
January 20, 2006. Lac Ouaureau.
Very early morning.
However one paints and whatever painting’s place may be in the contemporary world, the act of painting long ago became my primary concern.

Night.
In the day, we do the work of the world; and in the night, the work of the soul.

World work is what keeps “bread on the table,” not only our bread but also the infrastructure of civilization that is the bread of all of us—the peace and happiness we perpetually build against the ever renewing ruin of the world.

Soul work is the deep knowledge we take to our deaths—and to say those words clouds and fades their truth.

After midnight, on the way from the studio back to the cottage…
I first saw it out the studio window by the sink, the moon just past the full rising slowly silently through bare branches of the winter forest…


January 21, 2006. Lac Ouaureau.
Morning.
Still haunted by the "ineradicable," try again not with red oxide but with quinacridone crimson, the darkened blackened transparent red of old alizarine brought up to new and permanent to last forever--and haunted by the blackening shadow of death at the core, and by the bleeding stain semen near the center... Make #8, January 2006