The Art of Fred Martin
Homepage      Art      Exhibitions      Art Histories      Essays        Publications
 

Large Watercolors, July, 1981.
Unless otherwise noted, all paintings are watercolor on paper, 60 x 40  inches

 Links to all 1981-1982 Large Watercolors...  
 February-March, 1981   April-May, 1981   June, 1981
 July 1981   August 1981   September 1981
 October 1981   November 1981   December 1981

 January-March 1982   April-July 1982

Click here for Directory to all 1981-1991 paintings
Click here for directory to all paintings

Scroll down for the paintings, click the image for a larger view.
 


 


 

 

July 1, 1981


July 5, 1981

July 6-7, 1981.
Painting the Grandfather Springs… The white diamond that was to be entwined in the top center turns out to be an irrelevant crowd pleaser.  So I will not put it in, nor all the little prismatic circles I had been considering.

And it is the full face of an old man with long, curling hair; and it is that bird with widespread wings that bends down over all, and there is, rising up bottom center, a phallus just like mine as I looked in the mirror in the late afternoon sun just before I started the painting.

So that is Grandfather Springs: the face of an old man, a dark bird, a phallus: ALL ME.

The diamond has become a clear, white circle rising like a new moon behind the heap of stuff that is the rest of the painting.

And the phallus?  All that's left is a smear of white with blood running down.

See what the moon called forth: Listen to the night wind blowing.

Final title: Grandfather Springs.*
_______________________________
*Note: There was an earlier "Grandfather Springs," except that it was in the "Grandfather Tree" of the 1976 watercolors.

 


The Grandfather Springs, July 7, 1981.

 

 

July 10, 1981.  Each painting must be resolved in its own terms.  And when you get to the bottom, what there is, is a Black Hole.  We call it fate.  That which makes me, me; him, him; her, her.  It is the darkest mystery of all.  Out of it comes destiny, the things that I and she and he will do in our lives and the particular ends to which we will each come. It is open at that one place because it is also the womb.

Final title: Mirror.

 


"Mirror," July 10, 1981.

 

 

July 12, 1981. 
“This is all ye know, and all ye need to know”—Perfect union.

I saw the image this morning, just after sex.

Final title: The Sexual Connoisseur.

 July 13, 1981. 
Yes, these two paintings (July 10, Mirror and July 12, Connoisseur) are very sexual.  I’ve put them both—the Mirror and the Connoisseur —up on the wall in front of me.  Sitting here, the right action is to spread my legs, show my stuff and take them in.  The mirror painting shows Earth Fred, brown, flying to and holding up Venus’ Mirror, black; and the Connoisseur, is, as I wrote in my notes as the painting was coming to conclusion, the image of sexual climax.

The river is flowing strongly into the future; what I must do is keep up an adequate supply of paper, paint, etc., and just follow.

“Follow feeling”… be open to the winds.

And the little paintings/notes I worked on today?  Well, they’re just not the way.


"The Sexual Connoisseur," July 12, 1981

 

 


"Five old Women..." detail.

 


"Five old Women..." detail

 

 


"Five old women in their weedy gardens by the river in the evening." July 11, 1982.

 


"Let us gather by the river..." July 18, 1981

 

 


"White Bird and Bedstead," July 21, 1981.

"Red Square with Seed Spiral," July 22, 1981

 

 


Untitled, July 24, 1981.

July 27-28, 1981.  In the beginning it was me, and the blue diamond was at the base of my crotch.  But now that it’s over, all that feeling of a blue jewel in my groin has turned into—the whole painting has turned into—a woman with an ocean in her womb.

Final title: Woman.

 


"Woman," July 28, 1981

 

 

July 30, 1981. 
A man.  I don’t use music anymore to help establish a mood to work in.  Much more, just my body, and an image.  For the man, now, my body and the image/feel of the front hedge as I cleaned out the accumulated debris around the roots yesterday.  And so I made the painting as I felt and looked at my phallus, felt my thighs, belly, chest and nipples; and thought yesterday’s words: “Follow, follow feeling, right down into the depths.”

OK, so it’s two phalli, one bulbous, green, filled with sperm; the other long, red, filled with blood light.  And one gives a bluish-grayish sperm, the other black, and the two sperms surround the golden pyramid.

And now, two hours later, it has developed completely beyond any such ”symbolical allegorical” descriptions and become also sharper, clearer, simpler and more complex in color and shape relations… by painting out the “garbage” and allowing a vagina to appear in its proper place at the crown and allowing a heart to appear in it.

 Next day And beyond, also, any simply categorized, limited, “sexual desire.”  It has become after working most of yesterday and this morning, a “Dawn.”

Anyway, this was the end of the line.

 


"Dawn... A Man... Sprouts and Big Dick," July 30, 1981

 

 


 Links to all 1981-1982 Large Watercolors...  
 February-March, 1981   April-May, 1981   June, 1981
 July 1981   August 1981   September 1981
 October 1981   November 1981   December 1981

 January-March 1982   April-July 1982

 

Click here for Directory to all 1981-1991 paintings
Click here for directory to all paintings