Large Watercolors, July, 1981.
Unless otherwise noted,
all paintings are watercolor on paper, 60 x 40 inches
Links to all 1981-1982 Large Watercolors...
February-March, 1981
April-May, 1981
June, 1981
July 1981
August 1981
September 1981
October 1981
November 1981
December 1981
January-March 1982
April-July 1982
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July 1, 1981 |
July 5, 1981 |
July 6-7, 1981.
Painting the Grandfather Springs… The white diamond that was to be
entwined in the top center turns out to be an irrelevant crowd pleaser.
So I will not put it in, nor all the little prismatic circles I had been
considering.
And it is the full face
of an old man with long, curling hair; and it is that bird with widespread
wings that bends down over all, and there is, rising up bottom center, a
phallus just like mine as I looked in the mirror in the late afternoon sun
just before I started the painting.
So that is Grandfather
Springs: the face of an old man, a dark bird, a phallus: ALL ME.
The diamond has become a
clear, white circle rising like a new moon behind the heap of stuff that
is the rest of the painting.
And the phallus?
All that's left is a smear of white with blood running down.
See what the moon called
forth: Listen to the night wind blowing.
Final title:
Grandfather Springs.*
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*Note: There was an earlier "Grandfather Springs," except that it was in
the "Grandfather
Tree" of the 1976 watercolors.
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The Grandfather Springs, July 7, 1981.
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July 10, 1981.
Each painting must be resolved in its own terms. And when you get to the
bottom, what there is, is a Black Hole. We call it fate. That which
makes me, me; him, him; her, her. It is the darkest mystery of all. Out
of it comes destiny, the things that I and she and he will do in our lives
and the particular ends to which we will each come. It is open at that one
place because it is also the womb.
Final title:
Mirror.
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"Mirror," July 10, 1981.
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July 12, 1981.
“This is all ye know, and all ye need to know”—Perfect union.
I saw the image this
morning, just after sex.
Final title: The
Sexual Connoisseur.
July 13, 1981.
Yes, these two paintings (July 10, Mirror and July 12,
Connoisseur) are very sexual. I’ve put them both—the Mirror
and the Connoisseur —up on the wall in front of me. Sitting here, the
right action is to spread my legs, show my stuff and take them in. The
mirror painting shows Earth Fred, brown, flying to and holding up Venus’
Mirror, black; and the Connoisseur, is, as I wrote in my notes as the
painting was coming to conclusion, the image of sexual climax.
The river is flowing
strongly into the future; what I must do is keep up an adequate supply of
paper, paint, etc., and just follow.
“Follow feeling”… be open
to the winds.
And the little
paintings/notes I worked on today? Well, they’re just not the way.
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"The Sexual Connoisseur," July 12, 1981
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"Five old Women..." detail.
"Five old Women..." detail
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"Five old women in their weedy gardens by the river in the evening." July
11, 1982. |
"Let us gather by the river..." July 18, 1981
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"White Bird and Bedstead," July 21, 1981. |
"Red Square with Seed Spiral," July 22, 1981
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Untitled, July 24, 1981. |
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July 27-28, 1981.
In the beginning it was me, and the blue diamond was at the base of my
crotch. But now that it’s over, all that feeling of a blue jewel in my
groin has turned into—the whole painting has turned into—a woman with an
ocean in her womb.
Final title: Woman.
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"Woman," July 28, 1981
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July 30, 1981.
A man. I don’t use music anymore to help establish a mood to work
in. Much more, just my body, and an image. For the man, now, my body and
the image/feel of the front hedge as I cleaned out the accumulated debris
around the roots yesterday. And so I made the painting as I felt and
looked at my phallus, felt my thighs, belly, chest and nipples; and
thought yesterday’s words: “Follow, follow feeling, right down into the
depths.”
OK, so it’s two phalli,
one bulbous, green, filled with sperm; the other long, red, filled with
blood light. And one gives a bluish-grayish sperm, the other black, and
the two sperms surround the golden pyramid.
And now, two hours later,
it has developed completely beyond any such ”symbolical allegorical”
descriptions and become also sharper, clearer, simpler and more complex in
color and shape relations… by painting out the “garbage” and allowing a
vagina to appear in its proper place at the crown and allowing a heart to
appear in it.
Next day And
beyond, also, any simply categorized, limited, “sexual desire.” It has
become after working most of yesterday and this morning, a “Dawn.”
Anyway, this was the end
of the line.
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"Dawn... A Man... Sprouts and Big Dick," July 30, 1981
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